whitewashing

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Earlier this week, the sci-fi writer Steven Barnes had a nice piece in The Philadelphia Inquirer, Why King Tut’s ethnicity is such a complex issue.”

The article offers his take on the currently-raging debate over King Tut’s complexion, which is taken as a signifier of his (and therefore Egypt’s) links to Sub-Saharan Africa and is also taken as bearing on the matter of whether Egypt should be understood as “African” or “Middle Eastern.”

(Whatever. Everyone who has ever seen a Hollywood film knows that the ancient Egyptians were white, just like Jesus! You can click the head for a pictorial history of Tut, and if you haven’t heard this story, background reports are at the end of this post.)

This week’s hoopla actually started in 2005, when a major museum exhibit was accused of whitewashing Tut’s image. The exhibit featured “new” images of Tut popularized by Zahi Hawass, secretary general of Egypt’s Supreme Council of Antiquities, who in 2005 led a team of anthropologists and forensics experts France, Egypt, and the United States. Just this week, Hawass declared:

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In The New York Times today:

Skulls Confirm We’re All Out Of Africa

Well, apparently UNICEF Germany, like The Guardian, might have already gotten the memo:

UNICEF blackface campaign

But maybe they also took it a little too seriously? (curtsy to Black Women in Europe, via African American Political Pundit)

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Okay, I am proud to announce that I have decided to see A Mighty Heart before saying anything more about the Angelina Jolie, Mariane Pearl bff fest.

I have a hunch, though, that even as I might be the only person who thinks the blackfacing/whitewashing issue is still relevant in the face (ooh pun!) of a global political drama, I do think it’s more complex than it may at first seem. It’s about a type of movie, made for a certain kind of person, and right now there’s a certain kind of Hollywood actor responsible for cultivating this kind of audience. These are the people who bring us Read the rest of this entry »